2 Superb Custom Sky Programs

Adding A Custom Sky Will Change An Okay Photogrpah Into A Superb Photograph

For years I would enhance my photos by changing the sky, in Photoshop or Gimp.
As part of that process, however, I needed to bring the sky tones/colors into the landscape itself, and, perhaps, additionally re adjust parts of the non sky landscape.  
Changing a dull gray landscape with a beautiful sunset sky, does not work if the rest of the photo reflects the dull gray day.

Recently, however, I have started using two different programs to get the above effects with more ease and quicker.

They are Luminar 4, by Skylum  and Landscape Pro, (jump to Landscape Pro writeup) by Anthrophics.  They both produce superb results, but differently.

Luminar 4 

(by Skylum) can work as its own full bore photo editing program.  It  works from both Lightroom and Photoshop, as well.  For the purposes of this post, however, I am only dealing with some specific features.

Under its Creative Icon is an option to change the sky.  Within that option you have control sliders to move the sky around and to re light the photo from the sky.  There are other sliders as well, but these are key ones.

The program has a short but decent list of replaceable skies.  You can buy more, or select your own.
I prefer to use my own sky shots.  The program will open the folder of your choice,  but does not actually show the sky in photo format.
For this I use Adobe Bridge to see the sky I want, and then load it in Luminar 4.

The great thing about this option is that it will paint the sky, in the right places for you.
If the sky is too complicated, however,  perhaps with too many trees and buildings, the sky replacement option will be blocked out..

Luminar 4 has dozens of post processing features, some standard like contrast, blacks and whites and some other esoteric ones like Sunrays and Mystical.  It can run as a stand alone program.  For the purpose of this post, however, I am only discussing sky replacement.  

This one feature, however, enables me to quickly change a boring sky in to a superb sky with adjusted lighting for the rest of the photograph.

I made two versions of the above photo using Sky Replacement, some CA repair in PS and fine tuning in LR.

Here is the photo I loaded of the California coast.

In Luminar 4, select the second option (creative), AI Sky Replacement and Sky Selection.

Then select Sky Selection, which will give you some skies, and you can buy more. I use my own skies, however. I keep the actual image open in Adobe Bridge, as Luminar 4 will just provide file names.

California Coast

Same photo, different sky.

Landscape Pro

While Luminar 4 is a full scale photo editing package with some nifty features, Landscape Pro’s sole function is to make your photograph as drop dead gorgeous as possible.  Despite the title (landscape), I will also use the software for other types of photographs.

In Landscape Pro you can easily fine tune individual aspects of your photo.  See Add & Edit Areas in the graphic beloe.

Most of my Buildings US gallery took advantage of  Landscape Pro

This software works stand alone or from Photoshop.  When working from PS, be sure to work on a duplicate copy, so you do not lose your original.

Let’s start with the photo below.

NYC Skyline from Central Park South




The initial screen asks you to select up to 18 items to label in your photo. You drag the various labels into your photo and Landscape Pro will attempt to paint in everything when you press continue. There are multiple tools available to fine tune things like trees or other objects in part of the sky.



Once you Continue you then have a list of all the possible parts of your photo that you wish to work on.


Within each object you will have a list of presets and sliders. This is the sky sliders. While the software offers dozens of skies, I can use the Replace With to pick my own. I can also change the atmosphere and the cloud colors along with everything else you see.

At the very end of it all is the Lighting option.  This lets you adjust the light source for the photo.

The results:



Glenn Abelson

Comments always welcome, below.


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